French journalist and writer, one of the creators of realism
in literature. Balzac's huge production of novels and short stories are
collected under the name La Comédie humaine, which originated
from Dante's The Divine Comedy. Before
his breakthrough as an author, Balzac wrote without success several
plays and novels under different pseudonyms. Despite prolific output
and large incomes, Balzac was constantly in debt.
"...Well, Balzac was
politically a legitimist; his great work is a constant elegy on the
irreparable decay of good society; his sympathies are with the class
that is doomed to extinction. But for all that, his satire is never
keener, his irony never more bitter, than when he sets in motion the
very men and women with whom he sympathizes most deeply –
the nobles..." (Friedrich Engels in 1888)
Honoré de Balzac was born in Tours. His father,
Bernard-François Balssa, named his son after St Honoré whose day had
just been celebrated. He had risen to the middle class, and married in
1797 the daughter of his Parisian superior, Anne-Charlotte-Laure
Sallambier; she was 31 years his junior. The marriage was arranged by
her father. Bernard-François had worked as a state prosecutor and
Secretary to the King's Council in Paris. During the French Revolution,
he was a member of the Commune, but was transferred to Tours in 1795
because of helping his former royalist protectors. Bernard-François
felt at home in the land of Rabelais, and started energetically to run
the local hospital. In 1814 the family moved back to Paris.
Balzac spent the first four years of life in foster care, not
so uncommon a practice in France even in the 20th century. From the village of Saint-Cyr, he returned to his parents at the age of four. Balzac was an ordinary pupil at school. He studied
at the Collège de Vendôme and the Sorbonne, and then worked in law
offices. In 1819, when his family moved for financial reasons to the
small town of Villeparisis, Balzac announced that he wanted to be a
writer. He returned to Paris and was installed in a shabby room at 9
rue Lediguiéres, near the Bibliothéque de l'Arsenal. A few years later
he described the place in La
Peau de chagrin (1831), a
fantastic tale owing much to E.T.A. Hoffmann
(1776-1822). Balzac's first work was Cromwell. The tragedy in
verse made the whole family dispirited. Towards the end of his career
his attention turned to drama again, but this time his plays, such as Vautrin
(1840) and La Marâtre (1848), were well received by the
critics.
By 1822 Balzac had produced several novels under pseudonyms,
but he was ignored as a writer. Against his family's hopes, Balzac
continued his career in literature, believing that the simplest road to
success was writing. Unfortunately, he also tried his skills in
business. Balzac ran a publishing company and he bought a printing
house, which did not have much to print. When these commercial
activities failed, Balzac was left with a heavy burden of debt. It
plagued him to the end of his career. "All happiness depends on courage
and work," Balzac once said. "I have had many periods of wretchedness,
but with energy and above all with illusions, I pulled through them
all."
After the period of failures, Balzac was 29 years old, and his
efforts had been fruitless. Accepting the hospitality of General de
Pommereul, he spent a short time at their home in Fougères in Brittany
in search of a local color for his new novel. In 1829 appeared Le
dernier Chouan (later called Les Chouans),
a historical work in the manner of Sir Walter Scott, which he wrote
under his own name. Gradually Balzac began to gain notice as an author.
Between the years 1830 and 1832 he composed six novelettes titled Scènes
de la vie privée. The work, addressed more or less to a female
readership, was first published in La Presse.
The Contes drolatiques
(1832-37, Droll Stories), a collection of stories written in the bawdy
style of Rabelais, was labeled as pornographic, and added to the Index
librorum prohibitorum in 1841. The topics of the stories range from
necrophilia to nymphomania, and adultery to the bodily functions. Droll Stories was banned in Ireland in 1953.
Madame Balzac was interested in the writings of mystics. When
she miraculously recovered from an illness, Balzac started to study the
works of Jacob Boehme, Swedenborg, and followed Anton Mesmer's lectures
about 'animal magnetism' at Sorbonne. These influences are seen in La
peau de chargin, in which the hero character uses magical powers to
gain success. The 'philosophical' novel brought Balzac about 5,000
francs.
In 1833 Balzac conceived the idea of linking together his old
novels so that they would comprehend the whole society in a series of
books. This plan eventually led to 90 novels and novellas, which
included more than 2,000 characters. Balzac's huge and ambitious plan
drew a picture of the customs, atmosphere, and habits of the bourgeois
France. Balzac got down to the work with great energy, but also found
time to pile up huge debts and fail in hopeless financial operations.
"I am not deep," the author once said, "but very wide." Once he
developed a plan to gain success in raising pineapples at his home at
Ville d'Avray (Sevres). After two years, he had to flee from his
creditors and conceal his identity under the name of his housekeeper,
Madame de Brugnolle.
In the 'Avant-propos' to The Human Comedy (1842)
Balzac compares theories of the animal kingdom and human society. "Does not Society
make of man, according to the milieu in which his activity takes
places, as many different men as there are varieties in zoology?" Like the French naturalist Geoffroy Saint-Hilaire, Balzac sees that human life and human customs are more
multifarious and there are dramatic conflicts in love which seldom
occur among animals.
Among the masterpieces of The Human Comedy are Le Père Goriot, Les Illusions perdues, Les
Paysans, La Femme de trente
ans, and Eugénie
Grandet. In these books Balzac covered a world from
Paris to Provinces. The primary landscape is Paris, with its old
aristocracy, new financial wealth, middle-class trade, demi-monde,
professionals, servants, young intellectuals, clerks, criminals... This
social mosaic included recurrent characters, such as Eugène Rastignac,
who comes from an impoverished provincial family to Paris, mixes with
the nobility, pursues wealth, has many mistresses, gambles, and has a
successful political career. Henry de Marsay appeared in twenty-five
different novels. There are many anecdotes about Balzac's relationship
to his characters, who also lived in the author's imagination outside
the novels. Once Balzac interrupted one of his friends, who was telling
about his sister's illness, by saying: "That's all very well, but let's
get back to reality: to whom are we going to marry Eugénie Grandet?"
"Balzac himself always speaks of
his characters as of natural phenomena, and when he wants to describe
his artistic intentions, he never speaks of his psychology, but always
of his sociology, of his natural history of society and of the function
of the individual in the life of the social body. He became, anyhow,
the master of the social novel, if not as the 'doctor of the social
sciences', as he described himself, yet as the founder of the new
conception of man, according to which 'the individual exists only in
relation to society'." (Arnold Hauser in Social History of Art, Vol. 4,
1962)
Le Père Goriot (1835), originally published in the Revue
de Paris in 1834, appeared in book form in 1835. The story is an
adaptation of Shakespeare's play King Lear, a pessimistic study
of bourgeois society's ills after the French Revolution. It tells the
intertwined stories of Eugène de Rastignac, an ambitious but penniless
young man, and old Goriot, a father who sacrifices everything for his
children. His daughters Anastaria and Delphine are married into a rich
family. They are ashamed of their father and visit him only to ask for
money. Rastignac falls in love with Delphine. Goriot has gradually lost
all his money, not having enough for even a proper burial. On his death
bed Goriot learns about his daughters' egoism – they don't come to
see him. Admitting his own guilt, Goriot forgives his daughters.
Rastignac pays the expenses of the burial. Goriot's coffin is followed
by the empty luxurious carriages of the daughters. Balzac describes
lovingly the topography of Paris, his Muse. The city is one of the
characters, and has a language and will of its own: "Left alone,
Rastignac walked a few steps to the highest part of the cemetery, and
saw Paris spread out below on both banks of the winding Seine. Lights
were beginning to twinkle here and there. His gaze fixed almost avidly
upon the space that lay between the column of the Place Vendôme and the
dome of the Invalides; there lay the splendid world that he wished to
conquer." (from Old Goriot, 1835)
Balzac worked often in Saché, near Tours, although a great
part of his work was done in Paris. From 1828-36 he lived at 1 rue
Cassini, near the Observatory, on the edge of the city. In 1847 he
moved to the Rue Fortunée. Balzac used to energetically write 14 to 16
hours daily, drinking large amounts of specially blended Parisian
coffee. After supper he slept some hours, woke up at midnight and wrote
until morning. Despite his devotion to his art, Balzac had time for
affairs and he enjoyed life. It is told that Balzac once devoured first
100 oysters, and then 12 lamb chops with vegetables and fruits. The
characters of his books appreciate good food, too.
La Cousine Bette (1846)
contained thinly veiled autobiographical elements of the author's love
affairs. In the story a spinster, Cousin Bette, tries to gain revenge
for all her disappointments against her family and the beautiful
courtesan Valerie Marneffe. The aristocratic Baron Hulot d'Evry, whom
Bette had wanted to marry, had married her cousin, Adeline. She also
loses her new love, Count Wenceslas Steinbock, to Baron Hulot's
daughter. Valerie seduces Hulot, who has several mistresses, and
Steinbock. After some financial troubles Hulot escapes into the slums,
where Adeline finds him. Bette falls ill with pneumonia and dies. Hulot
continues his affairs with a cook, and finally marries the cook's
apprentice.
Gervais Charpentier published the best novels of Balzac in a
new format, the octodecimo "jésus" – it was much cheaper than the
traditional octavo volume. Balzac lived mostly in his villa in Sèvres
during his later years. Close to his heart was Madame de Berny, far his
senior; her death came as a deep blow to the author. With Eveline
Hanska, a rich Polish lady, Balzac corresponded for more than 15 years.
The correspondence started in 1832. Eveline Hanska posed as a model for
some of his feminine portraits (Madame Hulot in La Cousine Bette). "I cannot put two
ideas together that you don't come between them," Balzac wrote in a
letter to her.
In the spring of 1837, Balzac went to Italy to recuperate, and
to see the bust of Madame Hanska, made by Bartolini. He also asked her
permission to have a copy of it, half size, made for himself. In
October 1848 Balzac travelled to Ukraine. Madame Hanska's husband had
died in 1841 and Balzac could now stay with her a longer time. His
health had already broken down, but they were married in March 1850.
"Three days ago I married the only woman I have ever loved," Balzac
wrote in a letter to a friend, forgetting other women in his life. He
returned with his newly wed wife to Paris, where he died on August 18,
1850. At his funeral Victor Hugo delivered an address, saying: "Today
we see him at peace. He has escaped from controversies and
enmities..... Henceforward he will shine far above all those clouds
which float over our heads, among the brightest stars of his native
land."
For further reading: Balzac's Omelette by Anka Muhlstein (2011); Balzac, ed. by Michael Tilby
(1995); Balzac: A Life by Graham Robb (1994); Critical
Essays on Honore de Balzac by Martin Kanes
(1990); Honore de Balzac by Theophile Gautier (1989, paparback); Honore de Balzac: Old Goriot by
David Bellos (1988); Balzac and the Drama of
Perspective by Joan Dargan (1985); Balzac and the French Revolution by
Ronnie Butler (1983); Balzac, James, and the
Realistic Novel by William W. Stowe (1983); Balzac's Comedy of Words by Martin
Kanes (1978); Evolution of Balzac's 'Commedie
Humaine' by E. Preston Dargan (1942); Balzac by E.R. Curtius (1933); Women in the Life of Balzac by Juanita Helm Floyd
(1921). See also:
Stefan Zweig, Isaiah
Berlin, Andre Maurois: Prometheus: The Life of Balzac
(1965). Note: TV film about Balzac's life (1999), starring Gérard Depardieu
as the author, Jeanne Moreau as Balzac's mother, and Fanny Ardant as
Eveline Hanska. Museums: Musée Balzac, Château de Saché,
37190 Saché, Indre et Loire – a sixteenth
century castle, devoted to the author who lived there between 1829 and
1837; La maison de Balzac, 47 rue Raynourd, Chaillot Quarter - Balzac lived there for
seven years. Other writers born on May 20,
on the same day as Honoré de Balzac: William Michaelian,
Sigrid Undset.
Selected works:
- L'Héritière de Birague, 1822 (with Le Poitevin de
Saint-Alme and Etienne Arago)
- Jean Louis; ou, La fille trouvée, 1822 (with Le Poitevin de
Saint-Alme)
- Clotilde de Lusignan; ou, Le beau juif, 1822
- Le Centenaire ou les Deux Beringheld, 1822 (as Le Sorcier,
in Oeuvres complètes de Horace de Saint-Aubin, 1837)
- The Centenarian: or, The Two Beringhelds (translated from the
original 1822 French ed. by George Edgar Slusser, 1976)
- Le Vicaire des Ardennes, 1822
- La dernière fée; ou, La nouvelle lampe merveilleuse, 1823
- The Last Fay (translated by Eric H. du Plessis, 1996)
- Du droit d'ainesse, 1824
- Histoire impartiale des Jésuites, 1824
- Annette et le criminel, 1824
- Code des gens honnêtes; ou, L'art de ne pas être dupe des
fripons, 1825
- Wann-Chlore, 1825 (as Jane la pâle, in Oeuvres complètes,
1836)
- Wann-Chlore (1825) (translated from the French, with notes, by
Eric H. Du Plessis, 2005)
- Oeuvres complètes de La Fontaine, 1826 (editor)
- Oeuvres complétes de Molière, 1826 (editor)
- Le dernier Chouan, ou Bretagne 1800, 1829 (rev. ed.
as Les Chouans; ou, Le Bretagne en 1799, as Le Chouan, 1838; Scènes de
la vie politique)
- The Chouans (tr. in La comédie humaine, Vol. 20, c.1896; translated by Ellen
Marriage, in The Works of Honoré de Balzac, Vol. 29, 1901; Herbert J. Hunt, 1959; Marion Ayton Crawford, 1972)
- Kapina (suom. Jalmari Hahl, 1917)
- films: Les Chouans, 1947, dir. Henri Calef, adaptation Pierre Brive, Charles Spaak
- Mémoires pour servir à l'histoire de la Révolution
française, 1829 (with Lheritier de l'Ain)
- Physiologie du mariage, ou, Méditations de philosophie
éclectique, 1829 (Études analytiques)
- The Physiology of Marriage (translated by Ellen Marriage et al., in The Works
of Honoré Balzac, Vol. 33, 1901)
- Petites misères de la vie conjugale, 1830, 1840, 1845
- The Petty Annoyances of Married Life (translated by O.W. Wight and F.B.
Goodrich, 1861) / Petty Troubles of Married Life (translated by Ellen Marriage et
al., in The Works of Honoré Balzac, Vol. 33, 1901
- Un épisode sous la Terreur, 1830 (Scènes de la vie
politique)
- An Episode Under the Terror (translated by Ellen Marriage et al., in The Works
of Honoré de Balzac, Vol. 32, 1901)
- La Maison du chat-qui-pelote, 1830 (Scènes de la vie privée)
- At the Sign of the Cat and Racket (translated by Ellen Marriage et al., in The
Works of Honoré de Balzac, Vol. 7, 1901)
- La Vendetta, 1830 (Scènes de la vie privée)
- Vendetta (tr. c.1864; translated by Katherine Prescott Wormeley, in La comédie
humaine, Vol. 4, c.1896; Ellen Marriage et al., in The Works of Honoré
de Balzac, Vol. 18, 1901; Howard Curtis, 2008)
- Verikosto (suom. Lauri Laiho, 1919)
- Le Bal de Sceaux, 1830 (Scènes de la vie privée)
- The Ball at Sceaux (translated by Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 7, 1901)
- Une double famille, 1830 (Scènes de la vie privée)
- A Second Home (tr. 1845; translated by Ellen Marriage et al., in The Works of
Honoré Balzac, Vol. 11, 1901) / A Double Family (tr. 1897)
- La Paix du ménage, 1830 (Scènes de la vie privée)
- Domestic Peace (translated by Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 5, 1901) / Domestic Peace, and Other Stories (translated by Marion
Ayton, 1958)
- Étude de femme, 1830 (Scènes de la vie privée)
- Study of a Woman (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 5, 1896) / A Study of
a Woman and Comedies of the Counter (translated by George
Milburn, 1926)
- Gobseck, 1830 (Scènes de la vie privée)
- Gobseck (translated by Katherine Prescott Wormeley, in La comédie
humaine, Vol. 12, c.1896; Ellen Marriage et al., in The Works of Honoré
de Balzac, Vol. 10, 1901)
- Herra Gobseck (suom. Rauni Puranen, 1982)
- films: 1937, dir. Konstantin
Eggert, adaptation by Konstantin Eggert, Oleg Leonidov, starring Leonid
Leonidov; 1987, dir. Aleksandr Orlov, starring Vladimir Tatosov
- Adieu, 1830
- Adieu (translated by Katharine Prescott Wormeley, in The Comedy of Human
Life, Vol. 31, 1896)
- El Verdugo, 1830
- El Verdugo (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 31, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 2, 1901)
- films: Der Henker, 1920, dir. August
Weigert, adaptation J.M. Burkhardt- Benndorf;
1948, dir. Enrique Gómez,
prod. Olimpia Films
- L'Élixir de longue vie, 1830
- The Elixir of Life (translated by Katharine Prescott Wormeley, in La
comédie humaine, Vol. 31, c.1896; Ellen Marriage et al., in The Works
of Honoré de Balzac, Vol. 4, 1901)
- Une fille d'Ève, 1830-39 (Scènes de la vie privée)
- A Daughter of Eve (translated by Katharine Prescott Wormeley, La comédie
humaine, Vol. 4, c.1896; Ellen Marriage et al., in The Works of Honoré
de Balzac, Vol. 9, 1901)
- Une passion dans le désert, 1830 (Scènes de la vie
politique)
- A Passion in the Desert (translated by Katharine Prescott
Wormeley, in La comédie humaine, Vol. 20, c.1896; Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 29, 1901;
Ernest Dowson, 1998) / Sarrasine; and, A Passion in the Desert
(translated by David Carter, 2007)
- film 1997, dir. Lavinia Currier, starring Ben
Daniels, Michel Piccoli, Paul Meston, Nadia Odeh, Kenneth Collard
- La Peau de chagrin, 1831
- The Magic Skin (tr. 1888; translated by Katharine Prescott Wormeley, La comédie
humaine, Vol. 27, c.1896; Ellen Marriage et al., in The Works of Honoré
de Balzac, Vol. 1, 1901) / The Wild Ass's Skin (in Human Comedy,
1895-98) / Wild Ass's Skin (translated by Herbert J. Hunt, 1977) / The Fatal Skin
(translated by Atwood H. Townsend, 2008)
- Taikatalja (suom. 1934)
- films: 1909, dir. Albert
Capellani, prod. Pathé Frères; The Magic Skin,
dir. Richard Ridgely, prod. Edison Company; Narayana 1920, dir. Léon Poirier, prod. Gaumont Série Pax; The Dream Cheater, 1920, dir. Ernest C. Warde, adapttion Jack Cunningham, prod. Robert Brunton Productions; Slave of Desire, 1923, dir. George D. Baker, starring George
Walsh, Bessie Love, Carmel Myers, prod. Goldwyn Pictures
Corporation; La Piel de Zapa, dir. Luis Bayón Herrera, prod. EFA; short
film 1960 (9 min), dir. Vlado Kristl; TV film 1980, dir. Michel Favart, adaptation Armand Lanoux
- Sarrasine, 1831 (Scènes de la vie Parisienne)
- Sarrasine (tr. George Burnham Ives, in La comédie humaine,
Vol. 33, c.1909; translated by Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 32, 1901) / Sarrasine; and, A Passion in the Desert
(translated by David Carter, 2007)
- Jésus-Christ en Flandres, 1831
- Jesus Christ in Flanders (translated by Katharine Prescott Wormeley, in La
comédie humaine, Vol. 29. c. 1896) / Christ in Flanders (translated by
Ellen Marriage et al., in Works, Vol. 16, 1901) / Christ in Flanders
and Other Stories (tr. 1931)
- Le Chef-d'œuvre inconnu, 1831
- The Hidden Masterpiece (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 27, c.1896) / The Unknown Masterpiece (translated by Ellen Marriage
et al., in The Works of Honoré de Balzac, Vol. 2, 1901; Michael Neff,
1984; Charles Hobson, 1993; Richard Howard, 2001)
- Tuntematon mestariteos ja muita novelleja (suomentanut Virpi
Hämeen-Anttila, 2002)
- films: Mr. Frenhofer and the
Minotaur, 1949 (short film), dir. Sidney
Peterson; Divertimento, 1991, dir. Jacques
Rivette, starring Michel Piccoli, Jane Birkin, Emmanuelle Béart, Marianne Denicourt ; La Belle
noiseuse, 1991, dir. Jacques Rivette, starring Michel Piccoli, Jane Birkin,
Emmanuelle Béart
- Le Réquisitionnaire, 1831
- Les Deux rêves, 1831
- The Two Brothers (translated by Katharine Prescott Wormeley, 1887; in La
comédie humaine, Vol. 8, c.1896)
- Maître Cornélius; L’Auberge rouge, 1831
- Maitre Cornelius (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 31, c.1896; Ellen Marriage et al., in The Works of Honoré
de Balzac, Vol. 4, 1901)
- Les Proscrits, 1831
- The Exiles (translated by Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 4, 1901)
- Mémoires de madame la duchesse d'Abrantès, 1831 (vol. 1.,
with the duchess)
- Sur Catherine de Médicis, 1831-41
- Catherine de Midici (translated by Katharine Prescott Wormeley, in La
comédie humaine, Vol. 27, c.1896) / About Catherine de Medici and Other
Stories (tr. 1898) / Farewell About Catherine de Medici (translated by Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 2, 1901
- La femme de trente ans, 1831-44 (Scènes de la vie privée)
- Woman of Thirty (translated by Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 10, 1901; George Burnham Ives, in La comédie
humaine, Vol. 32, c.1909)
- Keski-ikäinen nainen (suom. 1907-1910)
- Contes bruns, 1832 (with Philarète Chasles and Charles
Rabou)
- Le Salmigondis, contes de toutes les couleurs, 1832 (as
Comtesse à deux maris, in Scénes de la vie privée, 1835; Le Colonel
Chabert, in Comédie humaine, 1844)
- Colonel Chabert (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 3, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 18, 1901; Carol Cosman, 1997)
- Nouveaux contes philosophiques, 1832
- La Bourse, 1832 (Scènes de la vie privée)
- The Purse, and
Albert Savarus (translated by H.H. Walker, 1883) /
The Purse; A Comedy in Two Acts (tr. 1887) / The Purse (translated
by Katharine Prescott Wormeley, in La comédie humaine, Vol. 3,
c.1896; Ellen Marriage et al., in The Works of Honoré de Balzac,
Vol. 7, 1901
)
- Le Curé de Tours, 1832 (Scènes de la vie de province)
- Eugénie Grandet (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 7, c.1896) / The Vicar of Tours (translated by Ellen Marriage
et al., in The Works of Honoré de Balzac, Vol. 7, 1901) / Eugenie
Grandet, and The Curé of Tours (translated by Merloyd Lawrence, 1964)
/ Eugénie Grandet (translated by Sylvia Raphael, 2009)
- Toursin kirkkoherra (suom. Kauko Kare, 1960)
- Le Colonel Chabert, 1832 (Scènes de la vie privée)
- Colonel Chabert (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 3, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 18, 1901; Carol Cosman, 1997)
- Eversti Chabert (suomentanut Huvi Vuorinen, 1918)
- films: 1911, dir. André Calmettes, Henri Pouctal
1943, dir. René Le Hénaff, adaptation by Pierre Benoît, starring Raimu; Kolonel Chabert, TV film 1961, dir. Tone Brulin, prod. N.I.R.; Oberst
Chabert, TV film 1967, dir. Ludwig Cremer; 1994, dir. Yves Angelo,
starring Gérard Depardieu, Fanny Ardant
- Madame Firmiani, 1832 (Scènes de la vie privée)
- Madame Firmiani (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 5, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 7, 1901
)
- Le Message, 1832 (Scènes de la vie privée)
- The Message (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 5, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 10, 1901
)
- L’Auberge rouge, 1832
- The Red Inn translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 31, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 6, 1901
)
- films: 1910, dir. Camille de Morlhon, prod. Pathé
Frères; 1923, dir. Jean Epstein, starring Léon
Mathot, Gina Manès, Jean-David Évremond, Pierre Hot, prod. Pathé Frères; 1951, dir. Claude Autant-Lara, starring
Fernandel, Françoise Rosay, Marie-Claire Olivia, Jean-Roger Caussimon,
Nane Germon
- La Femme abandonnée, 1832 (Scènes de la vie privée)
- The Deserted Woman (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 3, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 10, 1901
)
- Les Marana, 1832
- The Maranas (translated by George Burnham Ives, in The Human Comedy:
Philosophic and Analytic Studies, Vol. 3, 1899; Ellen Marriage et
al., in The Works of Honoré de Balzac, Vol. 2, 1901
)
- Voyage de Paris à Java, 1832
- My Journey from Paris to Java (translated by Barry Winkleman,
2010)
- Louis Lambert, 1832/1833
- Louis Lambert (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 29, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 4, 1901
)
- Les Cent Contes drolatiques, 1832-37
- Balzac’s Contes Drolatiques; Droll Stories Collected from the
Abbeys of Touraine (2 vols., tr. 1874) / Nine Tales from the
Contes Drolatiques of Honoré de Balzac (translated by Robert Crawford, 1921) /
Droll Stories; Collected in the Monasteries of Touraine and Given to
the Light by Honoré de Balzac (2 vols., translated by Alec Brown, 1967)
/ Droll Stories (translated by J. Lewis May, 1978)
- Anteeksi annettava synti (suom. Arvi Nuormaa, 1932) / Leikillisiä
tarinoita (suom. 1946; Yrjö Kivimies ja Kauko Kare, 1961) / Kaunis
Imperia (suom. 1947)
- e Médecin de campagne, 1833 (Scènes de la vie de campagne;
excerpt, as Histoire de Napoléon, 1833)
- The Country Doctor (tr. 1887; translated by Katharine Prescott Wormeley, in La
comédie humaine, Vol. 24, c.1896; Ellen Marriage et al., in The
Works of Honoré de Balzac, Vol. 18, 1901
)
- La Grenadière, 1833
- La Grenadiere (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 3, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 10, 1901
)
- Eugénie Grandet, 1833 (Scènes de la vie de province)
- Eugenia Grandet; or, The Miser’s Daughter (tr. 1843) / Eugénie
Grandet (translated by Katherine Prescott Wormeley, 1886; in La comédie
humaine, Vol. 7, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 5, 1901
; Marion Ayton Crawford, 1955; Henry Reed, 1964; Sylvia Raphael,
1990)
- Perijärär (suom. V. A. Koskenniemi, 1913) / Saiturin tytär (suom. V.
A. Koskenniemi, 1934) / Eugénie Grandet (suom. Outi ja Kalevi Nyytäjä,
1963)
- films: 1910, dir. Emile
Chautard, Victorin-Hippolyte Jasset; 1918, dir. Roberto Roberti;
The Conquering Power, 1920, dir. Rex Ingram, starring Alice Terry,
Rudolph Valentino; 1947, dir. Mario Soldati, starring Alida Valli;
1953, dir. Emilio Gómez Muriel, starring Marga López; TV film
1956, dir. Maurice Cazeneuve, starring Dominique Blanchar, Jean Marchat, Line Noro, Paul
Guers; Evgeniya Grande, 1960,
dir. Sergei Alekseyev, starring Ariadna Shengelaya, Mikhail Kozakov, Semyon
Mezhinsky, Tatyana Pankova;
TV film 1965, dir. Rex Tucker, cast: Valerie Gearon, Carl
Bernard, Mary Kerridge, Beatrix Lehmann, David Sumner; TV film 1994, dir. Jean-Daniel
Verhaeghe, starring Alexandra London
- L'Illustre Gaudissart, 1833 (Scènes de la vie de province)
- The Illustrious Gaudissart (translated by Katharine Prescott Wormeley, in La
comédie humaine, Vol. 11, c.1896)
- Ferragus, 1833 (Histoire des Treize)
- Ferragus, Chief of the Dévorants (translated by Katharine Prescott Wormeley, in
La comédie humaine, Vol. 14, c.1896)
- Ferragus eli Salaliittolaisten päällikkö (suom. Volmari Raitio, 1915)
- films: 1910, dir. André
Calmettes, prod. Pathé Frères; 1920, dir. Giovanni Enrico Vidali,
prod. Soc.Lydianne; 1923, dir. Gaston Ravel,
prod. Films Rene Navarre
- La Duchesse de Langeais, 1833/1834 (Histoire des Treize)
- The Duchess of Langeais (translated by Katharine Prescott Wormeley, in La
comédie humaine, Vol. 13, c.1896; Ellen Marriage, 1898)
- films: Ne touchez pas la
hache, 2007, dir. Jacques Rivette, starring Jeanne Balibar, Guillaume Depardieu, Bulle Ogier, Michel Piccoli; TV film 1995, dir. by Jean-Daniel Verhaeghe, starring Laure Duthilleul, prod. France 3 (FR 3); 1942, dir. Jacques de Baroncelli, starring
Edwige Feuillère, Pierre Richard-Willm, Aimé Clariond; Liebe, 1927,
dir. Paul Czinner, prod. Phoebus-Film AG; The Eternal Flame, 1922, dir.
Frank Lloyd, starring Norma Talmadge, Adolphe Menjou; La Storia dei
tredici, 1917, dir. Carmine Gallone; 1910, dir. André Calmettes, prod.
Pathé Frères
- Histoire des Treize, 1834/35 (Scènes de la vie Parisienne)
- The Thirteen (translated by Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 25, 1901) / History of the Thirteen (translated by Herbert J. Hunt,
1974)
- La fleur des pois, 1834 (Études de moeurs au XIXe siècle)
- La Recherche de l'absolu, 1834 (Études de moeurs au XIXe
siècle)
- Balthasar; or, Science and Love (translated by William Robson, 1859)
/ The
Alchemist (tr. 1861) / The Alkahest; or The House of
Cläes (translated by Katharine Prescott Wormeley, 1887) / The
Quest of the Absolute (translated by Ellen Marriage et al., in The
Works of Honoré de Balzac, Vol. 2, 1901)
/ The Tragedy of a Genius (translated by Henry Blanchamp, 1912) /
- La Fille aux yeux d'or, 1834/1835 (Histoire des Treize)
- The Girl with Golden Eyes (translated by George Burnham Ives, in La
comédie humaine, Vol. 33, c.1896, 1909) / The Girl with the
Golden Eyes (translated by Ernest Dowson, 1931; Charlotte Mandell, 2007)
- film: 1961, dir. Jean-Gabriel
Albicocco, starring Marie Laforêt, Paul Guers, Françoise Prévost, Françoise Dorléac
- Le Père Goriot, 1834/1835 (Scènes de la vie privée)
- Père Goriot (translated by Mrs. Fred M. Dey, 1886; Katharine Prescott
Wormeley,
in La comédie humaine, Vol. 1, c. 1896; Henry Reed, 1962; A.J.
Krailsheimer, 1991; Burton Raffel, 1994) / Old Goriot (tr. Ellen
Marriage, 1896; Marion Ayton Crawford, 1951) / Father Goriot
(translated by Ellen Marriage et al., in The Works of Honoré de Balzac,
Vol. 26, 1901)
/ Old Man Goriot (ed. W. Somerset Maugham,translated by Joan
Charles
[pseud.], 1949; Minot Sedgwick, 1950)
- Ukko Goriot (suom. Eino Woionmaa, 1927)
- films: 1910, dir. Armand Numès; 1915, dir. Travers
Vale, prod. Biograph Company; 1921, dir. Jacques de Baroncelli,
starring Jacques Grétillat, Gabriel Signoret, Jeanne Cheirel, Claude
France; Paris at Midnight, 1926, dir. E. Mason Hopper, starring Emile
Chautard, Lionel Barrymore, Jetta Goudal, Mary Brian, Edmund Burns;
1945, dir. Robert Vernay, starring Pierre Larquey, Pierre Renoir,
Georges Rollin, Claude Génia, Lise Delamare; TV film 1972, dir. Guy
Jorré, cast: Charles Vanel, Bruno Garcin, Roger Jacquet; TV film 2004,
dir. Jean-Daniel Verhaeghen, starring Charles Aznavour, Florence Darel,
Rosemarie La Vaullée, Malik Zidi, Tchéky Karyo
- Le Contrat de mariage, 1835 (Scènes de la vie privée)
- The Marriage Contract (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 1, c.1896)
- Un drame au bord de la mer, 1834 (Études philosophiques)
- A Drama on the Seashore (translated by Katharine Prescott Wormeley, in La
comédie humaine, Vol. 31, 1896)
- Séraphîta, 1835
- Seraphita, A Daughter of Eve, and
Other Stories/ (translated by Clara Bell and R. S. Scott, 1899) /
Seraphita (translated by Katherine Prescott Wormeley, in La comédie humaine, Vol.
30, 1896; Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 4, 1901
)
- Le livre mystique, 1835 (includes Louis Lambert and
Séraphita)
- Louis Lambert and Seraphita (2 vols., 1889)
- Le Lys dans la vallée, 1836 (Scènes de la vie de campagne)
- Lily of the Valley (translated by Katherine Prescott Wormeley, in La comédie
humaine, Vol. 9, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 17, 1901; Lucienne Hill, 1989)
- Laakson lilja (suom. Reino Hakamies, 1916)
- Melmoth réconcilié, 1836 (Études philosophiques)
- Melmoth Reconciled (translated by Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 1, 1901
) / Melmoth Absolved (translated by Katherine Prescott Wormeley, in La comédie
humaine, Vol. 29, 1896)
- L'Interdiction, 1836 (Scènes de la vie privée)
- The Commission in Lunacy (translated by Katherine Prescott Wormeley, in La
comédie humaine, Vol. 6, c.1896; Ellen Marriage et al., in The
Works of Honoré de Balzac, Vol. 14, 1901
)
- La Messe de l'athée, 1836 (Scènes de la vie privée)
- The Atheist's Mass and Other Stories (translated by C. Bell, 1896) / The
Atheist's Mass (translated by Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 12, 1901)
- Facino Cane, 1836 (Scènes de la vie Parisienne)
- Facino Cane (translated by Katherine Prescott Wormeley, in La comédie humaine,
Vol. 29, 1896; Ellen Marriage et al., in The Works of Honoré de Balzac,
Vol. 32, 1901
)
- L'excommunié: roman posthume, 1837 (with Auguste de Belloy,
in Oeuvres
complètes de Horace de Saint-Aubin)
- L'Enfant maudit, 1837 (Études philosophiques)
- The Hated Son (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 31, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 12, 1901
)
- La Vieille Fille, 1837 (Scènes de la vie de province)
- An Old Maid (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 8, c.1896)
- Les Employés, 1837 (Scènes de la vie Parisienne)
- Bureaucracy (translated by Katherine Prescott Wormeley, in La comédie humaine,
Vol. 16, 1896) / The Bureaucrats (translated by Charles Foulkes, 1993)
- Gambara, 1837
- Gambara (translated by Katherine Prescott Wormeley, in La comédie humaine, Vol.
29, c.1896; Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 3, 1901; Richard Howard, 2001)
- La Messe de l'athée, 1837 (Études philosophiques)
- Les Martyrs ignorés, 1837 (Études philosophiques)
- Le secret des Ruggieri, 1837 (Études philosophiques)
- Une passion dans le désert, 1837 (Études philosophiques)
- Les Illusions perdues, 1837 (part 1: Les deux poètes)
- Les Illusions perdues, 1837-43 (Scènes de la vie de
province)
- Lost Illusions (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 11, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 15, 1901; Kathleen Raine, 1985)
- Kadonneet illuusiot (suom. Heikki Kaskimies, 1983)
- Les Deux poètes, 1837 (Illusions perdues)
- Two Poets (translated by Ellen Marriage)
- Histoire de la Grandeur et de la Décadence de César
Birotteau, 1837 (Scènes de la vie Parisienne)
- History of the Grandeur and Downfall of César Birotteau (tr.
1860) / The Rise and Fall of César Birotteau (translated by Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 27, 1901
) / The Bankrupt (translated by Frances Frenaye, 1959) / César Birotteau (translated by
Robin Buss, 1993; Graham Robb, 1994)
- César Birotteau: hajuvesikauppiaan suuruuden ja tuhoutumisen tarina
(suom. Valpuri Alopaeus, 1979) / Kunniallisen miehen tarina
(suomentanut Valpuri Alopaeus, 1946)
- films: César Birotteau, 1911,
dir. Emile Chautard, Victorin-Hippolyte Jasset, prod. Société Française
des Films Éclair; Cesare Birotteau, 1921, dir. Arnaldo Fratelli, prod.
Tespi Film; TV film The Rise and Rise of Cesar Birotteau, 1965, dir. Michael Barry, starring Morris Perry,
prod. British Broadcasting Corporation (BBC)
- La Maison Nucingen, 1838 (Scènes de la vie Parisienne)
- The Firm of Nucingen (translated by James Waring, 1901, in The
Works of
Honoré de Balzac, Vol. 17, 1901) / Nucingen and Co., Bankers
(translated by Katharine Prescott Wormeley, in La comédie humaine, Vol.
15, c.1896)
- Maximes et pensées de Napoléon, 1838
- Le Curé de village, 1838/1839 (Scènes de la vie de campagne)
- The Village Rector (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 25, c.1896) / The Country Parson (in The Human Comedy,
1895-98; Ellen Marriage et al., in The Works of Honoré de Balzac, Vol.
19, 1901)
- La femme supérieure; La maison Nucingen; La torpille, 1838
- Les Rivalités en Province, 1838 (as Le Cabinet des
Antiques, 1839)
- The Jealousies of a Country Town (in The Human Comedy,
1895-98; translated by Ellen Marriage et al., in The Works of Honoré de Balzac,
Vol. 14, 1901)
- Le Cabinet des Antiques, 1839 (Scènes de la vie de
province)
- The Gallery of Antiquities (translated by Katharine Prescott
Wormeley, in La comédie humaine, Vol. 9, c.1896) / The
Collection
of Antiquities (translated by Ellen Marriage, 1900) / Cabinet of
Antiquities (translated by William Walton, 2005)
- Gambara; Adieu!, 1839
- Gambara (translated by Katharine Prescott Wormeley, in La comédie humaine, Vol.
29, c.1896; Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 3, 1901
)
- Une fille d'Ève, 1839 (includes Massimilla Doni)
- A Daughter of Eve (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 4, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 9, 1901)
- Béatrix, ou Les amours forcés, 1839 (Scènes de la vie
privée)
- Beatrix (translated by Rosamund and Simon Harcourt-Smith, 1895;
Ellen Marriage et al., in The Works of Honoré de Balzac, Vol. 13, 1901;
Beth Archer, 1970) / Beatrix; A Commission in Lunacy (translated
by Katharine Prescott Wormeley, in La comédie humaine, Vol. 6,
c.1896)
- Les Secrets de la princesse de Cadignan, 1839 (Scènes de la
vie Parisienne)
- The Secrets of the Princesse de Cadignan (translated by Katharine Prescott
Wormeley, in La comédie humaine, Vol. 15, c.1896 ) / The Secrets
of a Princess (translated by Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 27, 1901
- Massimilla Doni, 1839
- Massimilia Doni (in Human Comedy, 1895-98; translated by Ellen Marriage et
al., in The Works of Honoré de Balzac, Vol. 6, 1901)
- Un Grand homme de province à Paris, 1839 (Illusions
perdues)
- A Great Man of the Provinces in Paris (translated by Katharine Prescott
Wormeley, in La comédie humaine, Vol. 12, c.1896) / A Distinguished
Provincial at Paris (translated by Ellen Marriage et al., in The Works of Honoré
de Balzac, Vol. 16, 1901)
- Balthazar Claës: ou La recherche de l'absolu, 1839
- Alchemist; or, The house of Claes (tr. 1861)
- Splendeurs et misères des courtisanes, 1839-47 (Scènes de
la vie Parisienne)
- Scenes from a Courtesan's Life (translated by James Waring, in The Works of
Honoré de Balzac, Vol. 23, 1901) / A Harlot High and Low (translated by Rayner
Heppenstall, 1970)
- Kurtisaanien loisto ja kurjuus (suom. Heikki Kaskimies ja Mikko
Manninen, 1991)
- Vautrin, 1840 (drama)
- The Last Incarnation of Vautrin (translated by Katharine Prescott Wormeley, in
La comédie humaine, Vol. 14, c.1896) / Vautrin (translated by Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 34, 1901)
- Pierrette, 1840 (Scènes de la vie de province)
- Pierrette (translated by Katharine Prescott Wormeley, in La comédie humaine,
Vol. 7, c.1896; Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 7, 1901)
- Pierre Grassou, 1840 (Scènes de la vie Parisienne)
- Pierre Grasson (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 16, c.1896) / Pierre Grassou (translated by Ellen Marriage et al.,
in The Works of Honoré de Balzac, Vol. 10, 1901)
- Z. Marcas, 1840 (Scènes de la vie politique)
- Z. Marcas (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 22, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 32, 1901)
- Physiologie de l'employé, 1841
- Un prince de la Bohème, 1840 (Scènes de la vie Parisienne)
- A Prince of Bohemia (translated by Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 32, 1901; George Burnham Ives, in La comédie
humaine, Vol. 33, 1909)
- Physiologie du rentier de Paris et de province, 1841 (with
Arnould Frémy)
- Ursule Mirouët, 1841 (Scènes de la vie de province)
- Ursula (translated by Clara Bell, 1891; Katharine Prescott Wormeley, in La
comédie humaine, Vol. 10, c.1896) / Ursule Mirouet (translated by Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 6, 1901; Donald
Adamson, 1976)
- La Fausse Maîtresse, 1841 (Scènes de la vie privée)
- The Imaginary Mistress (translated by Ellen Marriage et al., in The Works
of Honoré de Balzac, Vol. 5, 1901)
- La Rabouilleuse, 1841/42 (Scènes de la vie de province)
- The Black Sheep (translated by Donald Adamson, 1976)
- films: 1944, dir. Fernand Rivers, starring Fernand
Gravey, Suzy Prim, André Brunot, Jacques Erwin; Les Arrivistes, 1960, dir. Louis Daquin, adaptation Louis Daquin, Klaus
Wischnewski, prod. Société
Nouvelle Pathé Cinéma
- Mémoires de deux jeunes mariées, 1841/1842
- Memoirs of Two Young Married Women (translated by Katharine Prescott
Wormeley, in La comédie humaine, Vol. 2, c.1896) / A Daughter of
Eve; and Letters of Two Brides (translated by Ellen Marriage et al., in
The
Works of Honoré de Balzac, Vol. 9, 1901) / The Two Young Brides
(translated by Lady Mary Loyd, with a critical introduction by Henry
James, 1902)
- Kahden nuoren aviovaimon muistelmat (suom. L. Onerva, 1917)
- Une ténébreuse affaire, 1842 (Scènes de la vie politique)
- The Gondreville Mystery (translated by Ellen Marriage et al., in The
Works of Honoré de Balzac, Vol. 30, 1901) / Murky Business (translated by Herbert
J. Hunt, 1972)
- Les Ressources de Quinola, 1842 (romantic drama)
- The Resources of Quinola (translated by Ellen Marriage et al., in The
Works of Honoré de Balzac, Vol. 34, 1901)
- Albert Savarus, 1842 (Scènes de la vie privée)
- The Purse, and Albert Savarus (translated by H.H. Walker, 1883) / Albert
Savarus (translated by Katharine Prescott Wormeley, in La comédie humaine, Vol.
1, c1896; Ellen Marriage et al., in The Works of Honoré de Balzac,
Vol. 19, 1901)
- Les deux frères, 1842 (as Un Ménage de garçon en province,
in Comédie humaine, 1843, as La Rabouilleuse, in Oeuvres complèles,
1912)
- Two Brothers (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 8, c.1896) / A Bachelor's Establishment (translated by Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 8, 1901) / The
Black Sheep (translated by Donald Adamson, 1970)
- Autre étude de femme, 1842 (Scènes de la vie privée)
- Another Study of a Woman (translated by Katharine Prescott Wormeley, in
La comédie humaine, Vol. 15, c.1896; Ellen Marriage et al., in The
Works of Honoré de Balzac, Vol. 5, 1901)
- L'Envers de l'histoire contemporaine, 1842-46 (Scènes de la
vie Parisienne)
- The Wrong Side of Paris (translated by Jordan Stump, 2003)
- Oeuvres complètes: La Comédie humaine, 1842-53 (20 vols.)
- Paméla Giraud, 1843 (drama)
- Pamela Giraud (translated by Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 34, 1901)
- La Muse du département, 1843 (Scènes de la vie de province)
- The Muse of the Department (translated by George Burnham Ives, in La comédie
humaine, Vol. 159)
- David Sechard / Eve et David, 1843 (Illusions perdues)
- Eve and David (tr. Ellen Marriage)
- Honorine, 1843 (Scènes de la vie privée)
- Honorine (translated by George Burnham Ives, in La comédie humaine, Vol. 32,
1909)
- Modeste Mignon, 1844 (Scènes de la vie privée)
- Modeste Mignon (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 4, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 12, 1901)
- Gaudissart II, 1844 (Scènes de la vie Parisienne)
- Gaudissart II (translated by Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 32, 1901)
- Les Paysans, 1844 (Scènes de la vie de campagne)
- Sons of the Soil (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 26, c.1896) / The Peasantry (translated by Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 20, 1901)
- Expliquée: Le Martyr Calviniste, 1845
- Catherine de' Medici (translated by Katharine Prescott Wormeley, in La
comédie humaine, Vol. 27, c.1896)
- Un début dans la vie, 1844 (includes La fausse maîtresse)
- A Start in Life (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 5, c.1896; Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 11, 1901)
- Un homme d'affaires, 1845 (Scènes de la vie Parisienne)
- A Man of Business (translated by Ellen Marriage et al., in The Works of
Honoré de Balzac, Vol. 32, 1901; George Burnham Ives, in La comédie
humaine, Vol. 33, c.1909)
- Honorine, 1845 (includes Un Prince de la Bohème)
- Splendeurs et misères des courtisanes: Esther, 1845
- A Harlot's Progress (in Human Comedy, 1895-98) / A Harlot High and
Low (translated by Rayner Heppenstall, 1970)
- La Lune de miel, 1845
- Petites Misères de la vie conjugale, 1845-46
- The Petty Annoyances of Married Life (tr. 1861) / Petty Troubles
of Married life (translated by Ellen Marriage et al., in The Works of Honoré
de Balzac, Vol. 33, 1901; George Burnham Ives, in La comédie humaine,
Vol. 33, c.1909)
- Les Comédiens sans le savoir, 1846 (Scènes de la vie
Parisienne)
- Unconscious Comedians (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 16, c.1896) / The Unconscious Humorists (translated by Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 26, 1901)
- La Cousine Bette, 1846 (Scènes de la vie Parisienne)
- Cousin Bette (translated by Katharine Prescott Wormeley, 1888; in La comédie
humaine, Vol. 18, c.1896; Ellen Marriage et al., in The Works of Honoré
de Balzac, Vol. 21, 1901; Kathleen Raine, 1948; Anthony Bonner, 1961;
Marion Ayton Crawford, 1965; James Waring, 1991; Sylvia Raphael, 1992)
- Bette-serkku (suom. Marketta Tuulos, 1956)
- films: 1927, dir. Max de Rieux; TV film 1964, dir.
Yves-André Hubert, starring Alice Sapritch; 1998, dir. Des McAnuff, starring Jessica Lange, Geraldine
Chaplin, Bob Hoskins, Elisabeth Shue
- Le Cousin Pons, 1847 (Scènes de la vie Parisienne)
- Cousin Pons (translated by Katharine Prescott Wormeley, in La comédie humaine,
Vol. 19, c.1896; Ellen Marriage et al., in The Works of Honoré de
Balzac, Vol. 22, 1901; Herbert J. Hunt, 1968)
- Pons-serkku (suom. Maija Lehtonen, 1955)
- films: 1924, dir. Jacques
Robert; Honor of the Family, 1931, dir. Lloyd
Bacon, prod. First National Pictures; Bratranec Pons, 1973, dir. Otakar Kosek, prod. Ceskoslovenská
Televize; TV film 1976, dir. Guy Jorré, starring
Henri Virlojeux
- Un drame dans les prisons, 1847
- Le provincial à Paris, 1847 (includes Gillette, Le Rentier,
El Verdugo)
- Les Parents pauvres, 1847-48 (includes Le Cousine Bette and
Le Cousin Pons)
- Poor Relations (translated by Philip Kent, 1880) / Les Parents pauvres
(translated by James Waring, 1991)
- La dernière incarnation de Vautrin, 1848
- La Marâtre, 1848 (play)
- The Stepmother (tr., in La comédie humaine, Vol. 36, 1901; translated by Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 35, 1901; Edith
Saunders, 1958)
- Mercadet ou le faiseur, 1851 (drama, prod. 1849)
- Mercadet (tr., in La comédie humaine, Vol. 36, c.1901; translated by Ellen Marriage
et al., in The Works of Honoré de Balzac, Vol. 35, 1901) / Mercadet:
The Napoleon of Finance: A Comedy in Three Acts (translated by
Robert Cornthwaite, 1994)
- The
Deputy of Arcis (translated by Katharine Prescott Wormeley, in La comédie
humaine, Vol. 23, c.1896)
- Les paysans, 1855 (completed by Mme. Balzac)
- Sons of the Soil (tr., in La comédie humaine, Vol. 26, c.1896) / The
Peasantry (in Human Comedy, 1895-98; translated by Ellen Marriage et al., in The
Works of Honoré de Balzac, Vol. 20, 1901)
- Les petits bourgeois, 1856 (Scènes de la vie Parisienne,
completed by Charles Rabou)
- The Lesser Bourgeoisie (translated by Katharine Prescott Wormeley, in La
comédie humaine, Vol. 26, c.1896) / The Middle Classes (translated by Ellen
Marriage et al., in The Works of Honoré de Balzac, Vol. 28, 1901)
- Traité de la vie élégante, 1858
- Correspondence de H. de Balzac, 1819-1850, 1876 (2 vols.)
- The Correspondence of Honoré de Balzac. With a Memoir by His Sister,
Madame de Surville (2 vols., translated by C. Lamb Kenney, 1878)
- Lettres à l'étrangère 1833-44, 1899-1906
- Letters of Honoré de Balzac to Madame Hanska (translated by Katharine
Prescott Wormeley, in La comédie humaine, Vols. 39-40, 1900)
- Honoré de Balzac, Now for the First Time Completely
Translated into English, 1895-1900 (53 vols.)
- The Human Comedy, 1895-1900 (La Comédie humaine; 40 vols.,
ed. George Saintsbury, translated by Katharine Prescott Wormeley,
George Burnham Ives et al.)
- The Works of Honoré de Balzac, 1901 (36 vols., translated by Ellen
Marriage et al.)
- The Best of Balzac, 1902 (ed. Alexander Jessup)
- L'école des ménages, 1907 (play, ed. le Vicomte de
Lovenjoul, prod. 1910)
- L'amour masqué; ou, Imprudence et bonheur: roman inédit,
1911
- Love in a Mask; or, Imprudence and
Happiness: A Hitherto Unpublished Novel (translated by Alice M. Irving,
1911)
- Naamioitua rakkautta (suom. 1915)
- Œuvres complètes, 1912-40 (40 vols., ed. Marcel Bouteron
and Henri Longnon)
- Les Cahiers balzaciens, 1927-28 (8 vols., ed. Marcel
Bouteron)
- Le catéchisme social, 1933 (ed. Bernard Guyon)
- The Human Comedy, 1929 (36 vols., 4th ed., ed. George
Saintsbury)
- Letters to His Family, 1809-50, 1934 (ed. W. S. Hastings)
- Sténie ou les erreurs philosophiques, 1936 (ed. A.
Prioult)
- Correspondance inédite avec madame Zulma Carraud 1829-1850,
1935
- Traité de la Prière, 1942 (ed. Philippe Bertault)
- Journaux à la mer, 1949 (ed. Louis Jaffard)
- La femme auteur et autres fragments inédits, 1950 (ed. le
Vicomte de Lovenjoul)
- Mademoiselle du Vissard, 1950 (ed. Pierre-George Castex)
- La comédie humaine, 1951-58 (11 vols., ed. M. Bouteron,
rev. ed., by Pierre-George Castex and Pierre Citron, 1976-)
- La comédie humaine, 1965 (7 vols.)
- Lettres à Madame Hanska, 1967 (ed. Roger Pierrot)
- Correspondance, 1960-68 (5 vols.)
- Le théâtre, 1969-1971 (Oeuvres complètes de M. de Balzac,
21-23)
- The Plays of Honoré de Balzac, 1976
- La comédie humaine, 1976-1981 (12 vols., ed. Pierre
Citron et al.)
- Premiers romans: 1822-1825, 1999 (2 vols., ed. André
Lorant)
- Selected Short Stories, 1999 (edited and translated by
Stanley Appelbaum)
- Correspondance, 2006- (ed. Roger Pierrot and
Hervé Yon)
Some rights reserved Petri Liukkonen
(author) & Ari Pesonen. Kuusankosken kaupunginkirjasto 2008
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