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|ÁNGEL GANIVET Y GARCÍA (1865-1898)|
Spanish essayist and novelist, one of the most important social philosophers in the 1890s in Spain, member of the literature circle 'La Cuerda granadina'. Ángel Ganivet committed suicide at the age of 33. In his doctoral dissertation Ganivet descibed Spain as a divided country where ideas are used as destructive political weapons – a view which already predicted the bitterness of the Spanish Civil War. Ganivet himself was a divided character: he was deeply religious but at the same time a sceptic, a diplomat but known for his blunt openness, optimistic in Idearium español (1897), but pessimistic and unhappy in his private life. Central theme in his work was the spiritual regeneration of Spain.
"I don't find the Finnish woman aesthetically attractive, because she is too little feminine. Here are young women, not much, who are called dockor, dolls. Ibsen's play Et Dukkehjem (A Doll's House) has made popular the characterless type of woman, who decides to become emancipated by abandoning her child in order to have more time for amusements." (from Cartas finlandesas, 1898)
Ángel Ganivet was born in Granada into a modest family of millers. His father, Francisco Ganivet, an amateur artist in his spare time, committed suicide in 1875, leaving his wife, Angeles García de Lara y Siles to take care of their five children and to look after a mill and a bakery. However, the business prospered and she managed to give her children the best possible education. Ganivet's relationship with her mother was close one. After leaving home, he corresponded with her until her death in 1895.
Ganivet studied at the Institute of Granada (1880-85) and University of Granada, receiving degrees in the arts and law. After receiving his Ph.D. from the University of Madrid in 1890, Ganivet worked in a library and taught Greece.
Fluent in five languages, Ganivet served with the Spanish consular service from 1892 in Antwerp (1892-96), Helsinki (1896-98), and Riga. Compared to his education and remarkable intelligence he had shown through his university studies, Ganivet's career started in relatively modest way. In Antwerpen Ganivet experienced an intellectual and spiritual crisis. Later the Finnish publisher and bookseller Wentzel Hagelstand wrote that Ganivet was least of all people a diplomat – he was open, unpretending, and did not try to please. Noteworthy, his female friends saw him in another light – they described him as an introvert.
His observations about the life in exotic Finland Ganivet published in letters, which were published in El Defensor between October 1896 and July 1897. Later these 22 short essays were collected in Cartas Finlandesas (1898). Ganivet discovered that compared to his compatriots, the Finns know considerably more about the rest of the world. They are fascinated by progress, telephones are common, and telephone wires are in some places "as dense as the wires of a sieve." Moreover, he found Finnish women better educated than their Spanish counterparts, but basically he preferred the Spanish style "familia sentimental" to the Finnish style "familia intellectual." Upon reading the Finnish national epic, the Kalevala, he realized that there was not a scene that he would recognize as a love scene.
From 1892 Ganivet had a liaison with Amelia Roldán Llanos, a Cuban, they had one son and a daughter, who died in infancy. During this relationship Ganivet fell is love with his neighbour, Marie 'Mascha' Djakoffsky, who gave lessons in languages and introduced him to the work of the Norwegian writers Jonas Lie, Bjørnstjerne Bjørnson and Henrik Ibsen. She possibly inspired his French poems, the Pensées melancoliques et sauvages. Amelia became so jealous that Mascha had to escape abroad – she died in 1934. In Finland Ganivet learned Swedish, the language of the cultural and economic élite. However, the majority of the population was Finnish-speaking – also the size of the Finnish-speaking educated class had expanded. Ganivet read Swedish newspapers and literature and gave French lessons. The painter Hanna Rönnberg, who lived in the same building as Ganivet, made his portrait in December 1896 .
Ganivet's major work, Idearium español (tr. Spain: An Interpretation, 1946), was dedicated to his father. Even before its publication, the book received favorable attention, though it came out without Ganivet's name attached. In the aftermath of the defeat in the Spanish-American war, it offered a cathartic examination of the true spirit of Spain. Granada la bella (1896), which had also appeared anonymously, went unnoticed by the press. In 1896-97 Ganivet wrote La conquista del reino de Maya por el último conquistador español, Pio Cid, depicting the conquest and colonial rule of an imaginary country, Maya, which was set in the East Africa.
Ganives' sisters moved to Finland in 1898 but he became more and more unsociable. After leaving Spain he did not have any close frieds. In 1897-98 he wrote the partly autobiographical novel Los trabajos del infatigable creador Pío Cid. "Cid" (Conqueror) refers to a man of action; "Pío" (Pious Man) to contemplation and discussion. Uniting these two sides, a true soul can be born. Many members of the Confradía del Avellano, an elite group of Granada's artists and writers, were portrayed thinly disguised in the work.
Ganivet left Finland when he was appointed canciller of the consulate in Riga. Against his wishes Amelia followed him to his new post. On the day of her arrival, on November 29, 1898, disillusioned in love, Ganivet drowned himself in the Dvina River, nearly failing in his attempt: he was first rescued but managed to throw himself into the river again. Ganivet had contemplated suicide for several years and he had suffered from progressive syphilitic paralysis.
After Ganivet's death, his friends and admirers, among them Navarro Ledesma and Nicolás María López, published obituaries in the Madrid newspapers. His verse drama El escultor de su alma appeared posthumously in 1899 and was performed first time in Granada on March 1 in the same year. Many of his letters were lost or destroyed in the hands of his family. Ganivet's remains were moved from Riga to Madrid and then to Granada in 1925.
Ganivet was a precursor of the Generation ´98, an intellectual and moral colleague of Antonio Machado, Azorín (pseud. of José Martínez Ruiz), Pio Baroja, and the educator, philosopher Miguel de Unamuno (1864-1936), whom Ganivet had met in 1891, and who was the most prominent personality of the movement. His correspondence with Unamuno, El porvenir de España, was published in 1912. A celebration to commemorate the fifth anniversary of Ganivet's death was organized in 1903. The participants included Unamuno, Martínez Ruiz, Ramiro de Maeztu, and the twenty-year-old Ortega y Gasset, but he was not overly enthusiastic about Idearium.
Ganivet wrote his major works in Finland, among them the essay Spain, an Interpretation, which examined the political situation of the country. In the work the characterizations of nations are drawn according to their geographic identification as an island, peninsula, or continent. Spain is an exception – it is a peninsula that has adopted behaviours appropriate to an island nation. Is has also mixed Arab, Jewish, and Castilian heritage, which are ideal for the creation of a contemplative culture. Ganivet suggest that Spain's past was an error, a deviation of its true nature. Spain must realize her true mission and give birth to a great nation and culture. In his dissertation Ganivet argued that Spain's mission is corrupted by materialism and egotism. Ganivet's arguments are drawn from 19th-century debate over Catholicism, positivism, imperialism, and rationalism, but he uses them creatively, changing flexibly from topic to topic. The publication of Francisco García Lorca's Angel Ganivet: Su idea del hombre (1952), Miguel Olmedo Moreno's El pensamiento de Ganivet (1965), and Antonio Gallego Morell's Angel Ganivet, el excéntrico del 98 (1965) created a new interest in his work