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(Harry) Sinclair Lewis (1885-1951)


American novelist, playwright, and social critic who gained popularity with satirical novels. Sinclair Lewis won the Nobel Prize for Literature in 1930, the first given to American. His total output includes 22 novels and three plays. Though Lewis criticized at times the American way of living, his basic view of the "American human comedy" was optimistic.

"His central characters are the pioneer, the doctor, the scientist, the businessman, and the feminist. The appeal of his best fiction lies in the opposition between his idealistic protagonists and an array of fools, charlatans, and scoundrels - evangelists, editorialists, pseudo-artists, cultists, and boosters." (from The Quixotic Vision of Sinclair Lewis by Martin Light, 1975)

Harry Sinclair Lewis was born in Sauk Centre, a prairie village in the heart of Minnesota, as the third son of a country doctor. His mother, who was the daughter of a Canadian physician, died of tuberculosis when Lewis was six years old. His father remarried a year later Isabel Warner. Lewis considered her psychically his own mother. Later Lewis characterized Sauk Center "narrow-minded and socially provincial" and books offered him one way of escape: he had access to the three or four hundred volumes, exclusive of medical books, in his father's library.

Lewis's early life was made miserable by teasing - he was strange-looking with his red hair and very bad skin. At the age of 13 he ran away from home to become a drummer boy in the Spanish-American War, but his father caught up with him at the railroad station, and brought the boy home. Lewis started to write and keep a diary in his youth; he produced romantic poetry, and stories about knights and fair ladies. Before 1921 he had already published six novels.

In 1902 Lewis entered the Oberlin Academy, but then moved to Yale University and started to contribute the Yale Literary Magazine. On one summer vacation Lewis traveled to England on a cattle boat and in another year, dissatisfied with college, he went to Panama in search of a job on the canal. He also worked as a janitor at Upton Sinclair's socialist commune Helicon Hall (1906-07). For a period he tried to earn his living as a free-lance writer in New York. In Yale Lewis met Jack London, and later he sold the elder writer short story plots.

Lewis received his M.A. in 1908 and worked for publishing houses and various magazines in Iowa, Carmel, San Francisco, Washington D.C. and New York City. In Greenwich Village he associated occasionally with such radicals as John Reed and Floyd Dell. For a short time he was a member of the Socialist Party. Lewis's first published book was Hike and the Aeroplane (1912), which came out under the pseudonym Tom Graham. The next work, Our Mr Wrenn (1914) presented a hero, who is innocent, naïve, and who dreams of adventures. After travels abroad he returns to his normal idyllic life. Similar characters populate Lewis's further novels, among them Carol Kennicott from the novel Main Street (1920).

From 1913-14 Lewis produced a syndicated book page, which helped him to gain good reviews of his own works by his fellow writers. In 1914 Lewis married Grace Livingston Hegger, an editor at Vogue. Their son, Wells, was named after the famous British author H.G. Wells, to whose social ideas Lewis was drawn to. For the following two years he worked as an editor and advertising manager at the book publishing firm George H. Doran Company. In 1916 Lewis abandoned his job and traveled with his wife around the country.

After publishing two novels, Lewis devoted himself entirely to writing. He gained fame with Main Street, a study of idealism and reality in a narrow-minded small-town. "Main Street is the continuation of main Streets everywhere." It meant cheap shops, ugly public buildings, and citizens who were bound by rigid conventions. The protagonist, Carol Kennicott, is an emancipated woman, who is in conflict with the conformity of Gopher Prairie - gopher is a large rodent living in the western states of the U.S. Before marrying Dr Will Kennicott of Gopher Prairie, Carol has studied library science in Chicago and worked in St. Paul Minnesota. The town is far from the romantic picture of open and democratic American community. Carol joins the clubs, the Library Board to encourage reading, and learns to play bridge, but she soon finds out that unions and profit sharing are dangerous subjects in conversation. After flirting with a lawyer, she meets a young Swedish sailor, who leaves the town, before they start to do something else than talk and walk together. She leaves her family, and moves to Washington, DC. Erik finds his way to Hollywood, and Carol returns to Gopher Prairie, but without feeling defeated: "I do not admit that Main Street is as beautiful as it should be! I do not admit that dish-washing is enough to satisfy all women!" The book had parallels with the author's own early life. Carol also has skin problems. Lewis claimed that Main Street was read "with the same masochistic pleasure that one has in sucking an aching tooth."

Main Street was published in the late autumn and it became a best-seller at the Christmas rush. "A new voice was loosed on the American ear," said one critic. The Pulitzer Prize jury had voted for it but the Columbia University trustees overturned their decision and gave the prize instead to Edith Wharton for The Age of Innocence. Lewis's next novel, Babbitt(1922), was a merciless portrait of a Midwestern businessmen. His hometown, Zenith, is a version of Gopher Prairie, although Zenith is much bigger. George F. Babbitt, forty-six years old, yearns for freedom but in his world art and culture are in the service of business. "To George F. Babbitt, as to most prosperous citizens of Zenith, his motor-car was poetry and tragedy, love and heroism. The office was his pirate ship but the car his perilous excursion ashore." (from Babbitt). His brief period of rebellion starts when his closest friend kills his wife and is sent to prison. All his attempts to live a more "bohemian" life fails and he returns to the fold of his clan of good fellows. "Babbittry" soon became synonymous with conformism and unthinking commercialism. Sherwood Anderson saw Lewis's prose as a "dreary ocean" but "in Babbitt there are moments when the people of whom he writes, with such amazing attention to the outer details of lives, begin to think and feel a little, and with the coming of life into his people a kind of nervous, hurried beauty and life flits, like a lantern carried by a night watchman past the window of a factory as one stands waiting and watching in a grim street on a night of December."

Arrowsmith (1925) depicted the life of a doctor, Martin Arrowsmith, who is caught between his idealism and commercialism. The book was awarded a Pulitzer Prize, which Lewis declined, but in a letter he wrote to his publisher, "Any thoughts on pulling wires for [Arrowsmith] for Nobel Prize?" Lewis explained that because the award was meant for books that celebrate American wholesomeness, his novels, which are critical, should not be awarded the prize. Lewis dedicated his work to Edith Wharton whom he admired and never complained that he did not receive the prize earlier. With the scientific aspects of the story Lewis collaborated with Dr. Paul De Kruif. They spent two months in the Caribbean observing outbeaks of infection and then continued to England. Lewis drank and wrote, while de Kruif took seriously their cooperation. Later Lewis confessed: "I am indebted not only for most of the bacteriological and medical material in this tale but equally for his suggestions in the planning of the fable itself-for his realization of the characters as living people, for his philosophy as a scientist." In the following works Lewis often used experts for technical advice, like Emile Zola had done in France.

John Ford's film version of Arrowsmith from 1931 was produced by Samuel Goldwyn. Ford was faithful to the novel's themes, but he made the Midwestern doctor more pompous than Lewis intended. At Goldwyn's request, Ford promised not to drink during the shooting of the film. However, the director walked off the picture after some troubles and boozed on Catalina Island. Finally he was removed by Goldwyn.

"Every compulsion is put upon writers to become safe, polite, obedient, and sterile. In protest, I declined election to the National Institute of Arts and Letters some years ago, and now I must decline the Pulitzer Prize." (from the author's letter, 1926)

Elmer Gantry (1927), written with angry, sparkling style, was an attack on hypocritical ministers. The book added a swindler after an idealist and a businessman into Lewis's great portrayals of basic American characters. Elmer is a former football player, who is expelled from a theological seminary for drinking, but remanis an energic, ordained Baptist minister. His spectacular temple burns down but he becomes the first preacher to have his own radio show. In Dodsworth (1929) a couple, Sam and Fran, whose marriage collapses, travels in Europe. The Dodsworths separate, Sam marries a an American widow, Fran's mother intervenes when she plans to marry a Viennese man, who has a von in his name. Ann Vickers (1933) examined the corruption of social services. Its idealistic heroine experiences humiliations in love but finally finds a man, with whom she can share her life.

During the summer and fall of 1923, Lewis frequented the Montparnasse cafés in Paris. Once he declared that he could construct characters better than Flaubert and moreover he was a better stylist than Flaubert too. Someone shouted, "Sit down, you're just a best seller!". Lewis was devasted.

In 1925 Lewis divorced from his first wife and married three years later Dorothy Thompson, a newspaper correspondent. "My first wife longed for social place / She trashed about with scarlet face / To get the chance to meet a prince," Lewis wrote later in a poem. With Dorothy Thompson he traveled to London, Berlin, Vienna, and Moscow. At that time Lewis was drinking heavily, and managed to offend most of his friends. His penuriousness became legendary. Theodore Dreiser, the other American finalist for the Nobel Prize, was bitterly disappointed, when Lewis won the award. Hemingway said that the prize should have gone to Ezra Pound or James Joyce. While staying in Paris in mid-June 1927, he persuaded the mistress of a London friend to move in with him in his rue de Varize flat. Most of his time he spent with a variety of friends like Marc Connelly, Stephen Vincent Benét, George Slocombe, and William Lyon Phelps

During the 1930s Lewis devoted considerable attention to the theater. His last major work, It Can't Happen Here (1935), portrayed a fascist coup d'état in America. In the next decade Lewis's writing habits remained unchanged: he wrote his book in a month and then did everything else until he was ready to start another one. He loved beautiful surroundings, he had a handsome old house in Williamstown, Massachusetts, and stayed at the best hotels in America and Europe. Once in Florence he leased a grandiose Mussolini-style villa.

Although Lewis continued to publish books at regular rate for the next twenty years, only occasionally did his novels capture large audiences. Among Lewis's later works are the highly conservative The Prodigal Parents (1938), Cass Timberlane (1945), and  Kingbloods Royal (1947), which deals with racial prejudice.

At the age of 54, Lewis met Marcella Powers, an eighteen-year-old aspiring actress at the Provincetown Theater on Cape Cod. She had dark hair, a narrow oval face with a sharp nose, soft, full lips, and she alwayes dressed in a "baby doll dress," as the publicist Margaret Carson recalled. Lewis fell in love with her; he called her "Princess Panda" and in public introduced her as his niece. H.L. Mencken noted that Lewis's "eyes were seldom off her, and when she spoke, though what she had to say was usually nothing, he listened with close attention." Together they acted in various summer theaters in New England. Lewis marriage ended in divorce in 1942. His son Wells was killed in 1944 in World War II combat in France.

His final years Lewis spent in Europe, suffering from failing health after a life of heavy drinking and a serious skin disease which irritated his already short temper. During the last period of his life Lewis hired secretaries to play chess with him and keep him company. His British secretary, Alexander Manson, watered his wine. Lewis died of the effects of advanced alcoholism on January 10, 1951, in Rome. The official cause of death was "paralysis of the heart." His last novel, World So Wide, about rootlessness and sexual disappointments, was published posthumously. Sam Dodsworth appeared briefly in the story. He advices the hero, Hayden Chart, to return home from Europe, where he has come to find out who he really is.

For further reading: With Love from Gracie by G.H. Lewis (1955); Sinclair Lewis: An American Life by M. Schorer (1961); Sinclair Lewis by N. Grebstein (1962); Dorothy and Red by V. Sheean (1963); Letters from Jack London, Containing an Unpublished Correspondence between London and Sinclair Lewis, edited by King Hendricks and Irving Shepard (1965); Sinclair Lewis by R. O'Connor (1971); The Art of Sinclair Lewis by D.J. Dooley (1971); Sinclair Lewis by J. Lundqvist (1973); The Quixotic Vision of Sinclair Lewis by Martin Light (1975); Sinclair Lewis by H. Smith (1977): Sinclair Lewis' Babbitt, ed. by P. Fish (1985); Critical Essays on Sinclair Lewis by M. Bucco (1986); Sinclair Lewis, ed. by H. Bloom (1987); Sinclair Lewis' Arrowsmith, ed. by H. Bloom (1988); The Rise of Sinclair Lewis, 1920-1930 by James Hutchisson (1996); Sinclair Lewis: New Essays in Criticism, ed. by James Hutchisson (1997); Sinclair Lewis: Rebel From Main Street by Richard Lingeman (2002) - Other depictions of small-town life: Sherwood Anderson's Winesburg, Ohio (1919); Edgar Lee Master's Spoon River Anthology (1916), Thornton Wilder's Our Town (1938) 

Selected works:

  • Hike and the Aeroplane, 1912 (as Tom Graham; with illustrations in two colors by Arthur Hutchins)
  • Our Mr. Wrenn: The Romantic Adventures of a Gentle Man, 1914
  • The Trail of the Hawk : A Comedy of the Seriousness of Life, 1915
  • The Job: An American Novel, 1917
  • The Innocents: A Story for Lovers, 1917
  • Free Air, 1919
    - film: Free Air, 1922, prod. Outlook Photoplays, dir. by Edward H. Griffith, featuring Tom Douglas, Marjorie Seaman, George Pauncefort
  •  Main Street: The Story of Carol Kennicott, 1920
    - Valtakatu: Carol Kennicottin tarina (suom. Helmi Krohn, 1931)
    - films: Main Street, 1923, dir. by Harry Beaumont, adapted by Julien Josephson, featuring Florence Vidor, Julien Beaubien, Monte Blue; I Married a Doctor, 1936,  dir. by Archie Mayo, adapted by Harriet Ford, featuring Pat O'Brien, Josephine Hutchinson, Ross Alexander
  • Babbitt, 1922
    - Babbitt: tarina amerikkalaisesta miehestä, hänen perheestään ja ainoasta hartaasta ystävyydestään (suom. Eino Voionmaa, 1925)
    - films: Babbitt, 1924 dir. by Harry Beaumont, featuring Willard Louis as George F. Babbitt; Babbitt, 1934, dir. William Keighley, featuring Aline MacMahon, Guy Kibbee, Claire Dodd, Maxine Doyle
  • Arrowsmith, 1925
    - Tohtori Arrowsmith (suom. Anja Elenius-Pantzopoulos, 1948)
    - films: Arrowsmith, 1931, dir. by John Ford, starring Ronald Colman, Myrna Loy, Helen Hayes, Clarence Brooks; TV mini-series 1999, prod. Ceská Televize, dir. Zdenek Zelenka, featuring Jan Stastny as Martin Arrowsmith, with Tereza Brodská, Josef Somr, Ondrej Vetchý.  "Arrowsmith never actually cheats on his wife, but he is painfully tempted when a wealthy seductress (Myrna Loy) makes herself available in the West Indies. The scenes Arrowsmith alone in his room impotently longing to be with her are intercut with Loy undressing in her room; both are filmed in deep shadows that almost seem to dissolve the spatial and emotional barriers between them. Ford further intercuts these scenes with the loyal, self-abnegating Leora dying of plague back home. The intercutting makes it seem as if a man's desire equals consummation equals guilt - a very Catholic equation, making lust of the heart as serious a sin as actual adultery." (Joseph McBride in Searching for John Ford, 2001)
  • Mantrap, 1925
    - films: Mantrap, 1926, dir. Victor Fleming, featuring Clara Bow, Ernest Torrence, Ford Sterling; Untamed, 1940, dir. by George Archainbaud, starring Ray Milland, Patricia Morison, Akim Tamiroff
  • Elmer Gantry, 1927
    - Elmer Gantry (suom. Heikki Lampila, 1946)
    - film: Elmer Gantry, 1960, dir. by Richard Brooks, starring Burt Lancaster, Jean Simmons, Arthur Kennedy
  • The Man Who Knew Coolidge: Being the Soul of Lowell Schmaltz, 1928
  • Cheap and Contended Labor: The Picture of a Southern Mill Town in  1929, 1929
  • Dodsworth, 1929
    - Autokuningas (suom. Seere Sario, 1931)
    - film: Dodsworth, 1936, prod. The Samuel Goldwyn Company, dir. by William Wyler, adaptation by Sidney Howard, starring Walter Huston, Mary Astor, Ruth Chatterton, Paul Lukas
  • Sinclair Lewis on the Valley of the Moon, 1932
  • Ann Vickers, 1933
    - film: AnnVickers, 1933, prod. RKO Radio Pictures, dir. by John Cromwell, starring Irene Dunne, Walter Huston, Conrad Nagel
  • Work of Art, 1934
  • Jayhawker: A Play in Three Acts, 1935
  • It Can't Happen Here, 1935
    - Meillä sitä ei voi tapahtua (suom. Y. Sutinen, 1936)
    - TV film: Shadow on the Land, 1968, prod. Screen Gems, dir. by Richard C. Sarafian, featuring Jackie Cooper, John Forsythe, Gene Hackman, Carol Lynley
  • Selected Short Stories, 1935 (rep. 1990, contains Let’s Play King, The Willow Walk, The Cat of the Stars, Land, A Letter From the Queen, The Ghost Patrol, Things, Young Man Axelbrod, Speed, The Kidnaped Memorial, Moths in the Arc Light, The Hack Driver, Go East, Young Man)
    - films: The Ghost Patrol, 1923, prod. Universal Pictures, dir. by Nat Ross, featuring Ralph Graves, Bessie Love, George Nichols, George B. Williams; Newly Rich, 1931, based on Let's Play King, dir. by Norman Taurog, featuring Mitzi Green, Edna May Oliver, Louise Fazenda, Jackie Searl; The Ghost Patrol, TV film 1951, dir. by Franklin J. Schaffner, adapted by William Kendall Clarke, with Dennis Patrick, Jane Seymour, Ernest Truex;  Majestät auf Abwegen, 1958, based on Let's Play King, prod. Melodie Film (West Germany), dir. by Robert A. Stemmle, featuring Fita Benkhoff, Chariklia Baxevanos, Oliver Grimm, Claus Biederstaedt
  • The Prodigal Parents, 1938
    - Tuhlaajavanhemmat (suom. Väinö Jaakkola, 1938)
  • Bethel Merriday, 1940
    - films: Bethel Merriday, TV drama 1950, dir. Delbert Mann, adapted by William Kendall Clarke, featuring Grace Kelly, Oliver Thorndike, Warren Stevens; TV drama 1950, with Barbara Bel Geddes, Betty Garde, Phillip Reed
  • Gideon Planish, 1943
  • A feather in His Hat, 1943
  • Seven Selected Short Stories, 1943
  • Cass Timberlane: A Novel of Husbands and Wives, 1945
    - film: Cass Timberlane, 1947, prod. Metro-Goldwyn-Mayer, dir. by George Sidney, adapted by Donald Ogden Stewart, starring Spencer Tracy, Lana Turner, Zachary Scott
  • Kingsblood Royal, 1947
  • The God-Seeker, 1949
  • World So Wide, 1951
  • From Main Street to Stockholm: Letters of Sinclair Lewis, 1919-1930, 1952 (edited and with an introduction by Harrison Smith)
  • The Man from Main Street: A Sinclair Lewis Reader: Selected Essays and Other Writings: 1904-1950, 1953 (edited by Harry E. Maule and Melville H. Cane)
  • I'm a Stranger Here Myself and Other Stories, 1962 (selected, with an introduction by Mark Schorer)
  • Storm in the West, 1963 (with Dore Schary, with an introd. by Dore Schary; illus. by Sol Baer Fielding)
  • Free Air (New York: Harcourt, Brace and Howe, 1919), 1970
  • John Dos Passos' Manhattan Transfer, 1977
  • If I Were Boss: The Early Business Stories of Sinclair Lewis, 1997 (edited by Anthony Di Renzo)
  • Minnesota Diary 1942-46, 2000 (edited by George Killough)
  • The Minnesota Stories of Sinclair Lewis, 2005 (edited and with an introduction by Sally E. Parry)
  • Go East, Young Man: Sinclair Lewis on Class in America, 2005 (edited and with an introduction by Sally E. Parry)
  • The Short Stories of Sinclair Lewis (1904-1949), 2007 (7 vols., collected and edited by Samuel J. Rogal)

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